Ektachrome 100

Discussion in 'Film Photography' started by GDN, Sep 26, 2018.

  1. GDN

    GDN Well-Known Member

    Joined:
    Jul 22, 2018
    Messages:
    2,168
    Location:
    South Island, NZ
    Equipment:
    A little Canon stuff
    Is back. It has been released in 35mm format. I have never tried it, but I am curious about it.

    Anyone out there used it and can give us an opinion about it?

    Gary
     

  2. porkphoto

    porkphoto Well-Known Member Site Supporter

    Joined:
    May 9, 2017
    Messages:
    871
    Location:
    Southern California, USA
    Equipment:
    Cameras 1DmkIII, 1DSmkII, 50d, 7d, 6d, 70d, 5Ds ,90D , R7, R5
    Lens 17-40 f4L, 24-70 f4L IS, 100 f2.8L IS macro, 200 f2.8L, 300 f4L IS, 300 f2.8L, 100-400 f4.5-5.6L IS, 500mm f4L IS
    OMG...its been at least 50 years since I used that...don't remember a thing about it...sorry...lol. Interesting info...thanks for posting.
     
  3. Garyh | SILENT STREET

    Garyh | SILENT STREET New Member

    Joined:
    Oct 9, 2019
    Messages:
    4
    Location:
    Melbourne, Australia
    Equipment:
    EOS 1N + PDBE1+Command Back E1; 1VS, L-series lenses (TSE-45, 90mm), 70-200 f2.8L, 20mm f2.8, 17-40 f4L.

    Pentax 67 + 4 lenses. Ilfochrome Classic master printer (1992-2010);
    RA-4 hybridised print ops.
    Close to Ektar 100 in rendering, and noticeably cold in the shadows in soft light. It will require warming with either a light brown filter or a light, salmon-pink Skylight 1B. Not ideal for point-light (bright sun) photography, but this is common with the majority of narrow latitude, enriched-palette E6 emulsions. Some reviewers have noticed similarities to Fuji's Provia 100F, but I think Ektar is a better comparison.
     

Share This Page